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IMMORTAL ACTS OF AMJAD KHAN

Aparajita Krishna asks commentators, including his wife Shehla Khan, son Shadaab Khan and daughter Ahlam Khan Karachiwala...

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PAST IS MY MASTER AND EVENING MY DAWN: VINAY SHUKLA

His film-work has been artistically selective and also across-genres, fairly mainstream, writes Aparajita Krishna.

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Life at the Margins: Akash Ongshoto Meghla

Joydeep Mukherjee’s intensely political directorial debut is a haunting look at life in a metropolis. Shantanu Ray Chaudhuri...

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STREET PROTESTS & GROUND REALITIES

The country’s youth on the streets, protesting against the newly introduced recruitment scheme to the armed forces, Agnipath. With unempl...

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Shishir Sharma: The Gentleman Actor!

Aparajita Krishna goes on a long walk on the cobbled path of art, theatre and acting with actor Shishir Sharma, whose repertoi...

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50 years of "The Godfather"

The Corleone’s and the poetry of Crime is what Sharad Raj examines after watching The Godfather for the nth time on the ...

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The Indian ‘New Wave’ for the Millennial

Even though I use a lot of close ups, “Once upon a time, long, long ago…” should be the tone and tenor of this account from ...

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A Faust for Bangladesh

Farrukh Dhondy at his best as he recounts the attempt he once made to adapt Goethe’s Faust for the Bangladeshi screen. Read More

In the land of the capitalists

‘Battleship Potemkin’ was premiered at the historic Bolshoi Theatre auditorium in Moscow on December 21, 1925, writes Monis...

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The art of Gaganendranath Tagore

At the height of darkness comes the first stirrings of dawn - a renaissance in the arts, literature and social life. It is against this backdro...

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